Oh The Paradoxes!

Very pressed for time today–by work & The Filth!!!–but, while I attempt to get my act together, I thought I would offer this tasty morsel to those folks outside of French Canada who maintain that brilliant work & massive corporations don’t (co)mix.

In case you aren’t aware–Quebecor prints a lot of indie comics… Oh yeah–and they’re also very close to solidifying a media monopoly the likes of which only existed, heretofore, in the wettest of Michael Moore’s “fuck THE MAN” night-terror-fantasies…

Pretty soon we’ll be asking: which came first–Quebecor or Quebec? The whole province (including me!) is on their payroll. And yet, they’re at least partially responsible for getting some pretty cool stuff (including Demo #5, which I love with an insane passion!) into circulation, and it’s not as if no one notices the nefarious side of what they’re up to either…

I’m just not feelin’ the fascism here. (and if I was likely to feel it–it would be here–after all, my city still has metro stations named after virulent Nazi Cleric Lionel-Groulx and ultramontane pope extraodinaire Pius IX)

I mean, does anyone really think that we won’t get to see Moore’s movie? Or that no one will ever get to criticize Pierre Peladeau again? Let’s try that one out–PELADEAU IS A CORRUPT MEDIA KINGPIN MOTHERFUCKER! I MEAN IT! HE REALLY REALLY IS. I, DAVID FIORE, AFFIRM THIS TO BE TRUE… BRING IT ON QUEBECOR!


Let’s see if they fire me…

Anyway, here’s the article (courtesy of my friend Jamo–who still owes us all a Krazy Kat review!)

Discuss amongst yourselves.


Disney’s Twilight Zone Tower of Terror was launched yesterday at its California Adventure Park. This $75 million (U.S.) thrill ride is designed to send folks screaming up and down a “phantom elevator” that, no matter which button you push, is always stuck on “Better have a change of underwear with you.”

As scary as it may be, it’s not as terrifying as yesterday’s news that the giant infosportsentertainment conglomerate, which is no Mickey Mouse corporation, is blocking its Miramax division from distributing Michael Moore’s latest documentary Fahrenheit 9/11.

Ironically, the title is an homage to Ray Bradbury’s futuristic tale about a totalitarian state where books are burned and people are distracted with junky TV and pop culture.

The film connects the dots between the Bush dynasty and significant Saudis, including the bin Laden family, whose members were flown out of the U.S. when all planes were supposedly banned from American airspace in the days after Sept. 11.

There are many dots to be connected here, starting with a private equity fund called the Carlyle Group, which is a major defence contractor with business in … Saudi Arabia.

In fact, CBC’s the fifth estate did a dandy job of making all these connections last fall in its season opener which, coincidentally, ran again last night. That was the kind of documentary you’d never see on any Disney-owned channel, including ABC, because the Carlyle Group helped bail out Euro Disney in the mid-1990s. Not that there’s a connection or anything, right?

Indeed, yesterday’s New York Times reported that Disney is holding back the film because its Florida theme parks, which have suffered in the post-9/11 travel bust, could lose their tax breaks in Governor Jeb Bush country.

Whoever said that information is power got it wrong. Having power over information is where it’s at. And, in today’s merged and converged media world, fewer and fewer people have that power.

Consider yesterday’s news from Italy where Lucia Annunziata, president of the public broadcaster RAI, quit, citing government interference. She complained that Prime Minister Silvio Berlusconi was packing the RAI board with his cronies, compromising its independence.

So what, some of you may say, pointing to CBC whose board is also filled with patronage picks.

The difference here is that Berlusconi not only owns and controls RAI’s main TV competitors but also radio stations, newspapers, sports franchises and film properties.

Meanwhile, there’s a tragicomedy playing out in Quebec, where Quebecor owns the biggest private network TVA, as well as the cable company that distributes it and its other specialty channels and Internet service, plus dailies, weeklies, magazines and radio stations. (In Ontario, it owns the Sun newspaper chain and is currently kicking at Toronto1’s tires for a possible purchase.)

Controlled by Pierre Karl Péladeau, Quebecor is the most highly concentrated of all the highly concentrated Canadian media companies.

Last month, his TVA fired Louis Morissette, a popular comedian, which it had just hired to host a reality show. The official reason? Morissette had appeared on rival networks TQS.

But that reason is a load according to everybody in Quebec. The real reason, they say, is that Morissette mocked Péladeau in a satirical show he scripted for Radio-Canada last year.

A company spokesperson denied that, likening Morissette’s being on TVA and TQS to CBC’s Peter Mansbridge going on CTV. Because he had appeared elsewhere, Morissette is toast.

Okay but, if that’s true, then why is Quebecor’s Franco Nuovo, who defended his boss Péladeau in his Journal de Montréal column on Monday, hosting a show for Radio-Canada?

The point is that Péladeau controls most of the French-language media in Canada and that means that journalists and writers cannot afford to piss him off. It also means that Quebecers won’t always get the truth, the whole truth and nothing but.

South of the border, the big media news this week is that Al Gore and his friends bought Newsworld International. The 24/7 news channel, which carries many CBC shows, will aim at drawing younger viewers to information TV. (Good freaking luck, pal. Too many kids today think The Apprentice is a business show and American Idol is democracy at work.)

“This is not going to be a liberal network, a Democratic network or a political network,” Gore insists, adding that “more independent voices” are needed.

Which brings us back to Disney. Buried in yesterday’s news about Fahrenheit 9/11 was a story about its other big ticket ride, Mission Space, at Walt Disney World. AP reported that, in the past eight months, half a dozen people have been hospitalized after experiencing the gravity-defying centrifugal force fling.

Not that you’ll see this on ABC’s Nightline — which Disney boss Michael Eisner also tried to kill a few years ago. This is the guy who also snuffed out Politically Incorrect for being, well, politically incorrect in George W. Bush’s Amerika.

Last year, Disney installed barf bags on Mission Space.


But what really should be making people sick is how Disney is trying to muzzle free expression in the country that purports to champion freedom to the rest of the world.

I’ll definitely have something on Astronauts in Trouble and The Filth by Monday, if not before!

Good Day Friends!




  1. I agree we will see Moore’s film. That’s not my concern. My concern is how many people who could make even better films then Moore’s will never get the chance because their opinions don’t fit with the bottom line.

    I’m always amazed that you’re so anti-Moore. I can appreciate you don’t like his methods or his half told truths, but as an antedote to the half truths about the wonderful government in the US right now from Corporations like Fox News, Bush Jr. Inc, – Moore is at least some kind of voice of dissent. Maybe he isn’t as great as the people writing the Jon Stewart show (the best political deconstruction on television), but he’s asking questions. He might not have the right answers but at least he’s offering us questions that we can solve. Because frankly, that Jr. has done as much damage as he has and is still possibly ahead of Kerry is amazing. Say what you want about the parties being the same, whatever, I still don’t believe Jr. is a real republican. Anybody that got more advice about the war with Iraq from God then his own advisors (unless in Jr.’s mind God is Carl Rove) should not be president.

    That fucking Jr.

  2. I’m not anti-Moore!

    I agree with most of his stances. I just don’t appreciate his Manicheism.

    I can’t help myself. I’m addicted to nuance.

    but he’s not making his films for me anyway. he’s an antagonis, like William Lloyd Garrison. And, like Garrison, he’s useful in his role. But he’s no thinker. That’s for sure.


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